Autobiography of Miss Jane Pittman, The
Ernest J. Gaines

Author: Gaines, Ernest J., 1933-

Miss Jane Pittman is 110 when she recalls her childhood and the arrival of both Union and Confederate troops on the plantation where she lived.


New York: Bantam Books, 1996, c1971, x, 245 p.

Kirkus Reviews Gaines's Miss Jane is an invented character roughly in the standard mammy mold, but with such strong personal presence that readers may still have to remind themselves this is fiction. Born a slave on a Louisiana plantation, she was not yet in her teens when emancipation came and she began her journey toward freedom as a literal walk overland to Ohio. When her narrative ends she is still moving out to join the freedom marchers though she is well over one hundred and has made precious little progress geographically or legally. To that extent her story is that of the southern Negro, particularly the southern Negro woman, and its private incidents reflect matters of public record. What distinguishes this account is the sustained, gritty characterization and its definitely personal slant on representative people and events. Miss Jane has been persuaded to reminisce by a young historian hoping to find "material" he can "use." The difference between material and a life is quietly brought home, but that is finally the point that dominates all others just as it is Miss Jane who seems strangely to have the upper hand with circumstances beyond her control. Artless art with a strong cumulative effect.
(Kirkus Reviews, April 1, 1971)



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Author Web Sites:
1. About the Author : Features a biographical sketch of Gaines.


ISBNs Associated with this Title:
0553263579
0881035629 : Glued Binding
0606022139 : DEMCO Turtleback - Juvenile
0786110538 : Cassette - Audio
0816160104 : Hardcover - Large Print
0395869935 : Hardcover - Classroom Text
0385240171 : Hardcover
0812415124 : Glued Binding
0738930938


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Bloodline

Author: Gaines, Ernest J., 1933-

Five stories skillfully portray the social and moral predicaments of the Negro in the rural South


W. W. Norton, 1976, 249p.

Kirkus Reviews /* Starred Review */ Five fine short stories which offer more than momentary entertainment. "A Long Day In November" told in the voice of a tired-out six-year-old boy, is an amusing and touching account of how Sonny's cane-cutter father resorted at last to voodoo to win back Sonny's mother after a tiff. "The Sky Is Gray" makes your teeth ache in sympathy as an eight-year-old country boy and his proud mother walk the cold streets waiting for the white city dentist to get around to his Negro patients. "Three Men" takes you into a nineteen-year-old's cell where, after a long night, he acknowledges that if he lets his white plantation owner spring him, he'll be a slave. The title story is the most powerful, and (hopefully) forecasts a novel. Its central characters are Frank and Christian Laurent. Frank a white and dying plantation owner, Christian his messianic mulatto nephew-demented and daring enough to demand a birthright land inheritance from his bar sinister heritage. In "Just Like A Tree," a series of characters describe the departure, by self-willed death, of Old Aunt Flo from the only home she ever knew-and it has the potential to be a powerful one act play. Gaines (Catherine Carmier, Of Love and Dust) has been acclaimed as a coming Negro novelist, but few novelists of any complexion can handle the short story form with such compelling ease.
(Kirkus Reviews, August 1, 1968)



Other related features:

1. Book Discussion Guide - A Lesson Before Dying


Author Web Sites:
1. About the Author : Features a biographical sketch of Gaines.


Other titles associated with this book:
Blood line


ISBNs Associated with this Title:
0393007987 : Paperback
067978165X : Paperback


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• Added to NoveList: 20010101
• TID: 028690

Catherine Carmier

Author: Gaines, Ernest J., 1933-

Catherine, a young Louisiana Black woman, is caught up in the racial tensions between white, Black, and Cajun in the rural plantation area


North Point Press, 1981, copyright 1964, 248p.

Kirkus Reviews This curiosity withdrawn novel of involuted passion concerns a Creole family in contemporary Louisiana. Ringed about by racial tension, although he considers his family neither white nor Negro, Raoul stands alone as the whites take over Negro land, working hard "trying to keep up with them." Devoted to her father, fearing the walls of hate behind which one must share an allegiance to white or black, his daughter Catherine cannot leave him although she is loved by Jackson, just returned from the North. Also staining the past is the strange death of the boy Mark, dark skinned son of Raoul's wife Della. In a bloody fight between Jackson and Raoul, Della learns to Raoul's guilt and in a rush of pity, supports the weakened Raoul. Representing the confusion and bitterness implicit in the idea of "being one thing or the other," sister Lillian fights to leave the twilight world of the Creole; Madame Bayonne stays with the resignation of the elderly; and Jackson's devoted aunt seeks strength for a terrifying future. Despair, torment and frustration overhang the scene like a static and oppressive high noon, but the mood is furthered, unfortunately, by the uniform dreariness of the characters. Still a promising first try.
(Kirkus Reviews, October 1, 1964)



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1. Book Discussion Guide - A Gathering of Old Men

2. Book Discussion Guide - A Lesson Before Dying


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1. About the Author : Features a biographical sketch of Gaines.


ISBNs Associated with this Title:
0679738916 : Paperback
091186024X : Hardcover
0613064801 : Glued Binding
0786111275 : Cassette - Audio


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• TID: 028691

Gathering of old men, A

Author: Gaines, Ernest J., 1933-

The murder of a white Cajun farmer named Boutan unleashes a fury of buried hatred and defiance, as Sheriff Mapes tries to identify the killer--a white overseer and a group of Black farmers all claim responsibility--and prevent revenge


A. A. Knopf; distributed by Random House, 1983, 213p.

Kirkus Reviews /* Starred Review */ In the first half of this short novel, Gaines (Catherine Carmier, Autobiography of Miss Jane Pittman) makes something poetic out of a melodramatic moment in Southern race relations; in the second half the melodrama more or less takes over, as does a slightly muddled web of themes. Candy Marshall, 30-year-old heir to the rundown Marshall place in 1970s Louisiana farm-country, discovers the dead body of neighboring Cajun farmer Beau Boutan--and standing nearby with a gun in his hands is old Mathu, the proud black family-retainer who raised Candy, and her Daddy before her. Determined to protect Mathu, Candy quickly announces that she shot Beau; furthermore, Candy sends out the word that all the old black men in the area should join her at the murder-site, bringing shotguns identical to Mathu's. So, as the dialect-wise narration shifts from voice to voice around the neighborhood, a dozen old men respond to Candy's call--fearful, eager, skeptical: "We wait till now? Now, when we're old men, we get to be brave?" They gather near Beau's body, each of them (as well as Mathu and Candy) confessing to the killing, with their proclaimed motives becoming a whimsical yet powerful litany of longstanding grievances. (One old man says he did it because of the overgrown, neglected black cemetery: "I did it for every last one back there under them trees. And I did it for every four-o'-clock, every rosebush, every palm-of-Christian ever growed on this place.") And they stubbornly, effectively stand up to the rough, savvy local sheriff--while they all wait for the inevitable arrival of the much-feared Fix, Bean's Klan-ish father. Then, however, as the novel slips from fable-like intensity to more conventional storytelling, there are a series of plot-turns, each reflecting an aspect of the South-in-transition: Fix will wearily decide not to play vigilante (two of his sons, for largely selfish reasons, argue that lynching days are over); Mathu will reject Candy's paternalistic protection; the real killer will surface, brave enough to confess as well as to fight back against white abuse; and when local rednecks demand instant justice, the redneck sheriff will oppose them--with death coming to the most violent men on both sides in the shootout that follows. As usual, Gaines offers spare atmosphere, keen-eared dialogue, and quietly taut confrontations. But the novel's second half tries to compress too much socio-symbolic action into a small-scale story; and it's the book's simple, eloquent, inspired opening that stays--hauntingly--in the mind.
(Kirkus Reviews, September 1, 1983)



Features about this author or title:

1. Book Discussion Guide - A Gathering of Old Men


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1. Book Discussion Guide - A Lesson Before Dying

2. Book Discussion Guide - Nowhere Else on Earth


Author Web Sites:
1. About the Author : Features a biographical sketch of Gaines.


ISBNs Associated with this Title:
0881035610 : Glued Binding
0679738908 : Paperback
0606010270 : DEMCO Turtleback
0896215113 : Hardcover - Large Print
0394514688 : Hardcover
0812469240 : Glued Binding
155644155X : Cassette - Audio


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• TID: 028692

In my father's house

Author: Gaines, Ernest J., 1933-

The arrival in a southern town of a young, unkempt man results in a sudden confrontation with past sin and error on the part of the town's most respected black man, Reverend Phillip Martin


Knopf, 1978, 214p.

Kirkus Reviews The quietly repressed tension in the opening chapters here--a dead-eyed young stranger appears in the black section of St. Adrienne, Louisiana--seems to be revving up a subtly gripping and artfully shaped narrative. What Gaines (The Autobiography of Miss Jane Pitman) actually delivers turns out to be neither subtle nor shapely, nor especially original, but on every page there's an authentic moment, or a dead-right knot of conversation, or a truer-than-true turn of phrase--enough of them to carry you through to the overly theatrical finale. That wine-drinking, street-walking, gun-toting stranger calls himself Robert X, but he is really Etienne Martin, come to town to kill the father who abandoned him 21 years ago: Rev. Phillip J. Martin, the Martin Luther King of St. Adrienne. Phillip is 60 now, a loving (second) family man and Christian, but when he recognizes yet can't remember the name of his denied son--at a civil rights soirÉ--he falls to the floor, swamped with guilt for the sins that no amount of good works has really made up for. Desperate for a reconciliation, Phillip betrays the movement (to get his son out of jail he promises that an upcoming demonstration will be scrapped), but his son scorns him, the movement leaders vote him out, and all he can do is try to reach his son indirectly--by learning all he can about the common-law wife and children he deserted. The father's journey-search for his son (reminiscent of everybody from Alan Paton to Toni Morrison) takes him into the back streets of Baton Rouge, where an old friend fills him in on Etienne's tortured life, where he debates with a burn-baby-burn black guerrilla, and where he receives the news that Etienne has drowned himself back in St. Adrienne. Despair and loss of faith ("How come He stood by me all those years, but not today?"), followed by growth--the ability to turn to his wife for help--and renewal: "We just go'n to have to start again." Since we hardly get to know Phillip before his great trauma, this novel doesn't really work as a character study; nor does it quite click as a parable of generation gaps in the post-King (the action is set in 1970) civil rights movement. But Gaines' people talk real talk and walk real streets--and these bedrock strengths of observation can survive even the most blatant or uncoordinated twirling of themes.
(Kirkus Reviews, May 1, 1978)



Other related features:

1. Book Discussion Guide - A Gathering of Old Men

2. Book Discussion Guide - A Lesson Before Dying


Author Web Sites:
1. About the Author : Features a biographical sketch of Gaines.


ISBNs Associated with this Title:
0394479386 : Hardcover
0800750020 : Paperback
0679727914 : Paperback


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• Added to NoveList: 20010101
• TID: 028693

Lesson before dying, A
Ernest J. Gaines

Author: Gaines, Ernest J., 1933-

A young illiterate African American man witnesses two black robbers kill a white store owner in Louisana in the late 1940s, and he is the one convicted.


New York: A. A. Knopf: Distribued by Random House, Inc., 1993, 256 p.


Booklist Review: /*STARRED REVIEW*/ Gaines, author of "The Autobiography of Miss Jane Pittman", sets his new novel in back-country Louisiana just after World War II. A local teacher, Grant Wiggins, is conscripted by his aunt to offer lessons in manhood, and in dying, for her friend's godson, Jefferson. Jefferson was just a witness, but he was the only person left standing after an armed robbery in which a white man was killed. He must die; the only defense his white lawyer can muster is that Jefferson is a hog without enough sentience to know what murder is. Poor Jefferson refuses to eat or even talk. He grovels on the jail floor pretending to be a hog. And Wiggins himself has trouble being a man, in this Jim Crow South where "most of us would die violently." He isn't religious, and so to counsel Jefferson on the afterlife, as his aunt's pastor advises, strikes him as fraudulent. Slowly, as he, too, learns to stand proud, he counsels love--that Jefferson must die like a man because his godmother loves him and believes he may yet join Jesus. Jefferson begins to keep a diary, revealing a tortured, innocent soul, yet one that has encountered a certain dignity. This is a heartbreaking but ennobling story reminiscent of "As I Lay Dying" both in technique and in its insistence that the human spirit may triumph no matter how it is violated. ((Reviewed Feb 15, 1993)) -- John Mort

School Library Journal Review: YA-- No breathless courtroom triumphs or dramatic reprieves alleviate the sad progress toward execution in this latest novel by the author of The Autobiography of Miss Jane Pittman (Bantam, 1982). The condemned man is Jefferson, a poorly educated man/child whose only crimes are a dim intelligence, being in the wrong place at the wrong time, and being black in rural Louisiana in the late 1940s. To everyone, even his own defense attorney, he's an animal, too dumb to understand what is happening to him. But his godmother, Miss Emma, decides that Jefferson will die a man. To accomplish just that, she brings Grant Wiggins, the teacher at the plantation's one-room school and narrator of the novel, into the story. Emotionally blackmailed by two strong-willed old ladies, Grant reluctantly begins visiting Jefferson, committing both men to the painful task of self-discovery. As in his earlier novels, Gaines evokes a sense of reality through rich detail and believable characters in this simple, moving story. YAs who seek thought-provoking reading will enjoy this glimpse of life in the rural South just before the civil rights movement.-- Carolyn E. Gecan, Thomas Jefferson Sci-Tech, Fairfax County, VA

Publishers Weekly Review: Gaines's first novel in a decade may be his crowning achievement. In this restrained but eloquent narrative, the author of The Autobiography of Miss Jane Pittman again addresses some of the major issues of race and identity in our time. The story of two African American men struggling to attain manhood in a prejudiced society, the tale is set in Bayonne, La. (the fictional community Gaines has used previously) in the late 1940s. It concerns Jefferson, a mentally slow, barely literate young man, who, though an innocent bystander to a shootout between a white store owner and two black robbers, is convicted of murder, and the sophisticated, educated man who comes to his aid. When Jefferson's own attorney claims that executing him would be tantamount to killing a hog, his incensed godmother, Miss Emma, turns to teacher Grant Wiggins, pleading with him to gain access to the jailed youth and help him to face his death by electrocution with dignity. As complex a character as Faulkner's Quentin Compson, Grant feels mingled love, loyalty and hatred for the poor plantation community where he was born and raised. He longs to leave the South and is reluctant to assume the level of leadership and involvement that helping Jefferson would require. Eventually, however, the two men, vastly different in potential yet equally degraded by racism, achieve a relationship that transforms them both. Suspense rises as it becomes clear that the integrity of the entire local black community depends on Jefferson's courage. Though the conclusion is inevitable, Gaines invests the story with emotional power and universal resonance. BOMC and QPB alternates. (Apr.)

Library Journal Review: What do you tell an innocent youth who was at the wrong place at the wrong time and now faces death in the electric chair? What do you say to restore his self-esteem when his lawyer has publicly described him as a dumb animal? What do you tell a youth humiliated by a lifetime of racism so that he can face death with dignity? The task belongs to Grant Wiggins, the teacher of the Negro plantation school who narrates the story. Grant grew up on the Louisiana plantation but broke away to go to the university. He returns to help his people but struggles over ``whether I should act like the teacher that I was, or like the nigger that I was supposed to be.'' The powerful message Grant tells the youth transforms him from a ``hog'' to a hero, and the reader is not likely to forget it, either. Gaines's earlier works include A Gathering of Old Men ( LJ 9/83) and The Autobiography of Miss Jane Pittman (Bantam, 1982). BOMC and Quality Paperback Book Club alternate selections; previewed in Prepub Alert, LJ 12/92.-- Joanne Snapp, Randolph-Macon Coll . , Ashland, Va.

Kirkus Reviews /* Starred Review */ Two black men (one a teacher, the other a death row inmate) struggle to live, and die, with dignity, in Gaines's most powerful and moving work since The Autobiography of Miss Jane Pittman (1971). The year is 1948. Harry Truman may have integrated the Armed Forces, but down in the small Cajun town of Bayonne, Louisiana, where the blacks still shuffle submissively for their white masters, little has changed since slavery. When a white liquor- store owner is killed during a robbery attempt, along with his two black assailants, the innocent black bystander Jefferson gets death, despite the defense plea that "I would just as soon put a hog in the electric chair as this." Hog. The word lingers like a foul odor and weighs as heavily as the sentence on Jefferson and the woman who raised him, his "nannan" (godmother) Miss Emma. She needs an image of Jefferson going to his death like a man, and she turns to the young teacher at the plantation school for help. Meanwhile, Grant Wiggins (the narrator) has his own problems. He loves his people but hates himself for teaching on the white man's terms; visiting Jefferson in jail will just mean more kowtowing, so he goes along reluctantly, prodded by his strong-willed Tante Lou and his girlfriend Vivian. The first visits are a disaster: Jefferson refuses to speak and will not eat his nannan's cooking, which breaks the old lady's heart. But eventually Grant gets through to him ("a hero does for others"); Jefferson eats Miss Emma's gumbo and astonishes himself by writing whole pages in a diary--a miracle, water from the rock. When he walks to the chair, he is the strongest man in the courthouse. By containing unbearably painful emotions within simple declarative sentences and everyday speech rhythms, Gaines has written a novel that is not only never maudlin, but approaches the spare beauty of a classic.
(Kirkus Reviews, February 15, 1993)



Features about this author or title:

1. Book Discussion Guide - A Lesson Before Dying


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4. Awards (Best Fiction) - Adult -> Best Fiction -> Literary -> Oprah's Book Club

5. Awards (Best Fiction) - Young Adult -> Best Fiction -> Literary -> YALSA Outstanding Books for the College Bound -> 1999

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9. Book Discussion Guide - The Human Stain

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Author Web Sites:
1. About the Author : Features a biographical sketch of Gaines.


Other titles associated with this book:
Dying lesson


ISBNs Associated with this Title:
0679414770
0792717945 : Paperback - Large Print
1580812384 : Cassette - Audio
0780752880 : Glued Binding
0375702709 : Paperback
1570422230 : Cassette - Audio
0606071504 : DEMCO Turtleback
0679455612 : Hardcover
0739323679 : CD - Audio
1580812287 : CD - Audio
0792717953 : Hardcover - Large Print
1578152143 : Cassette - Audio
0785769811 : Glued Binding
0783117159
0783114559


Credits:
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• Novelist/EBSCO Publishing
• Baker & Taylor
• American Historical Fiction: An Annotated Guide to Novels for Adults and Young Adults, published by Oryx Press
• MetaMetrics, Inc.
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• Publishers Weekly, A Reed Elsevier Business Information Publication
• Library Journal, A Reed Elsevier Business Information Publication
• Copyright 2005, VNU Business Media, Inc. All Rights Reserved
• Added to NoveList: 20010101
• TID: 028694

Long day in November, A
[by] Ernest J. Gaines. Drawings by Don Bolognese

Author: Gaines, Ernest J., 1933-

A young black boy living on a cane plantation recounts the events of the day his parents separate and are reconciled.


New York,: Dial Press, [1971], 137 p.

Kirkus Reviews An affectionate and genuinely funny story, set in the black "quarter" of a Southern sugar cane plantation around 1940 and told by Eddie, a first grader who is mildly bemused when his mother abruptly leaves her husband and bis father endeavors to get her back. Mama's grievance is Daddy's preoccupation with his car, which Daddy in the end sorrowfully burns to the ground on the advice of Madame Toussaint, a voodoo woman cast here as a sort of shrewd and earthy Dear Abby. The brief novel is expanded from an adult short story in Gaines' Bloodline (1968), and one wonders if it really works as a juvenile. It's perfectly wholesome, with no problematic sex episodes or any questionable language (unless you object to "nigger," used repeatedly by Gran'mon about her "no good, gap-toothed, yellow" son-in-law). But the crises and concerns are of essentially adult interest, and the action, even though it's seen through Eddie's eyes, is filtered through an adult sensibility. Still, for whoever does tune in, it's warming and refreshing fun.
(Kirkus Reviews, September 1, 1971)



Author Web Sites:
1. About the Author : Features a biographical sketch of Gaines.


Other Contributors:
Bolognese, Don: illustrator

ISBNs Associated with this Title:
0803749384 : Library binding - Juvenile


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• Added to NoveList: 20051120
• TID: 138528

Mozart and Leadbelly: stories and essays
Ernest J. Gaines

Author: Gaines, Ernest J., 1933-

Collects five stories, set in Louisiana, that capture the joys and sorrows of rural Southern life, accompanied by prose works that chronicle the author's life as a writer, and the people and places that he has encountered.


New York: Knopf, 2005, 192 p.

Publishers Weekly Review: The artist "must deal with both God and the Devil," notes Gaines in this illuminating collection of short stories and "talks" on literature. Born (1933) and raised on a Louisiana plantation, Gaines (A Lesson Before Dying) attended college in California and fell in love with the works of Chekhov, Turgenev and Joyce. When he began to write, he realized that "the Russian steppes sounded interesting, but they were not the swamps of Louisiana.... I wanted to smell that Louisiana earth,... sit under the shade of one of those Louisiana oaks," and, especially, write about "the true relationship between whites and blacks???about the people I had known." And while Mozart and Haydn might inspire, "neither can... describe Louisiana State Prison at Angola as Leadbelly can." In his essays, Gaines shows how he explored his cultural influences like a jazz musician playing around a note until he achieved an appropriate artistic form for the truths he wanted to tell. The short stories, most published decades ago, further demonstrate that artistry. Fans of Gaines will appreciate these intimate glimpses into his literary methods, while readers yet to discover his art will find this a fine introduction. Author tour. (Oct. 7) --Staff (Reviewed August 1, 2005) (Publishers Weekly, vol 252, issue 30, p42)



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1. About the Author : Features a biographical sketch of Gaines.


ISBNs Associated with this Title:
1400044723
1400096456 : Paperback


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Of love and dust

Author: Gaines, Ernest J., 1933-

A Black, who seeks revenge against his oppressive white employers, is doomed when he breaks the most honored rule of love in the South


New York: Vintage Books, 1994, copyright 1967, 281 p.

Kirkus Reviews This second novel by a young Negro writer has an honest simplicity and tremendously involving, complicated characterizations. It's contemporary Louisiana and down on the plantation we find Jim Kelly, narrator, easy going, handy with machinery, who is put in charge of "Playboy Marcus," Baton Rouge boy bonded to plantation owner Marshall Hebert after he had killed another Negro in a brawl. Seems Hebert owed Marcus' granny a little favor for forty years of service and a certain little incident in the past. Hebert is also indebted, mysteriously to Bonbon his white overseer who pushes Marcus to the limit in the fields. When Marcus seeks revenge, first with Bonbon's black mistress Pauline (whom he loves) and then with his willing wife who bears the marks from a Bijou past and present shame, the plantation people see trouble like a slow storm, waiting to engulf them all. The build-up in meticulous scenes from the scorching fields at noon to the cool nights with the intricate relationships between Bonbon and Pauline, Marcus and Louise have an abiding realism. Mr. Gaines sees people as pawns, caught up in a slip-stream of circumstance and his sympathetic story transcends the Negro-white motif.
(Kirkus Reviews, October 1, 1967)



Other related features:

1. Book Discussion Guide - A Gathering of Old Men

2. Book Discussion Guide - A Lesson Before Dying


Author Web Sites:
1. About the Author : Features a biographical sketch of Gaines.


Other titles associated with this book:
Love and dust
Dust and love
Of dust and love


ISBNs Associated with this Title:
067975248X


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• Hennepin County Public Library
• Baker & Taylor
• Copyright 2005, VNU Business Media, Inc. All Rights Reserved
• Added to NoveList: 20010101
• TID: 002680